Somebody Somewhere doesn’t bother with political soapboxing, but it doesn’t need to. Nor do their plot lines hew to the usual formulas of, for example, small-town misfits dreaming of moving to the big city Sam and Joel carve out spaces for themselves right in the heart of Manhattan, Kansas. Yet you wouldn’t know it from the show itself, which wastes no time justifying its choices or calling much attention to them, and instead simply lets these characters get about the business of living their lives.
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Even in the age of Peak TV, when more shows have meant more opportunities to see different kinds of stories onscreen, it’s exceedingly rare to see a series centered on a fat middle-aged woman - let alone one with a farmer family and mostly queer friends. It turns Somebody Somewhere into something quietly revelatory, able to cast off stereotypes and formulas without fuss. Such vivid characterization doesn’t just make for better times. His ability to effortlessly cast a warm, festive glow about him feels akin to a superpower.
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Everett may well be more comfortable in Sam’s skin than Sam herself, who softly admits to Joel that she’s not sure she’s “friend material,” seems to be - she laces her scenes with a sly sense of humor, particularly when she’s opposite Hiller’s dorky but surprisingly self-assured Joel.Īnd while most of the supporting players manage to make an impression with limited screen time, Murray Hill makes the biggest splash as Fred Rococo, the cheerful choir practice emcee. I don’t know how much of the dialogue is improvised, but it’s a compliment to both the performers and the screenwriters that it feels like much of it was. The heart of Somebody Somewhere lies in the easy, spontaneous chemistry between characters who feel not like they were created but like they’ve always existed. The season’s most propulsive storyline, about Sam’s determination to uncover whatever secret her brother-in-law Rick (Danny McCarthy) is hiding, still makes room for half an episode of Sam and Joel hanging out in the car, cracking jokes about bodily fluids or singing raucous duets while tailing Rick around town. Joel’s romance with coworker Michael (Jon Hudson Odom) simmers perhaps too much in the background, to the point of pushing some of its most significant developments offscreen. A storyline about Sam’s mother (Jane Brody) fades in and out of focus until it reaches a tipping point late in the season.
Though serialized arcs weave together the season’s seven episodes (directed by Robert Cohen and Jay Duplass), the series moves at a meandering stroll rather than a focused sprint. The above paragraph might already make Somebody Somewhere sound more plot-driven than it is.
Then a nascent friendship with coworker Joel (Jeff Hiller) slowly brings her out of her shell and into the embrace of outsiders - some older, some younger, some queer, some not - who find community and cathartic self-expression singing, drinking and dancing at not-officially-sanctioned “choir practice” parties hosted in a local church. Bridget Everett's 'Somebody Somewhere' Renewed at HBO
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